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MUSIC

From Netherlands to Norway, Klangstof on dark rock journey

When Koen Van Der Wardt was 14, his parents moved with him from their native Netherlands to rural Norway, longing for nature. His musical awakening was an unintended consequence.

From Netherlands to Norway, Klangstof on dark rock journey
Klangstof frontman Koen Van Der Wardt. Photo: Rich Fury/AFP

As the frontman and principal songwriter of the band Klangstof, Van Der Wardt conjures up the dark atmospherics of rural Norway in guitar rock that breaks free from traditional song structure.

He was kicking off Coachella on Friday, becoming the first Dutch act to play the leading music festival that takes place in the desert of southern California.

Now 24, Van Der Wardt recalls growing up in The Netherlands listening to electronic dance music like other Dutch preteens. In Norway, he said, he spent his first year engrossed in only one album – Radiohead's “OK Computer,” the English rockers' seminal 1997 transformation into digital experimentation.

He first picked up a guitar in Norway simply out of boredom. But he gradually came to appreciate his parents' decision to move.

“It was very inspirational to have no pressure from the outside world that you usually have when you live in a city or live in a country with a lot of people,” Van Der Wardt told AFP before a pre-Coachella rehearsal at a Los Angeles studio.

“Norway just makes you feel that you don't have to care about anything around you,” he said, “because there isn't much around other than beautiful nature.”

Mood, not words

Although the music bears the clear influence of Radiohead, Van Der Wardt's high-pitched, melody-resistant vocals and Klangstof's Nordic sensibility also bring to mind the Icelandic post-rockers Sigur Ros and, to a lesser extent, the earlier era of progressive rock.

Klangstof – the name, so evocative of the band's sound, is a portmanteau between the Norwegian word for “echo” and Dutch for “dust” – had its break when it uploaded “Hostage,” a bleak song about personal confinement.

The song was spotted by David Dann, founder of label Mind of a Genius, who quickly signed the band. “Hostage” became the starting point for Klangstof's debut album “Close Eyes to Exit,” released last year.

Van Der Wardt said he focused on creating an ambience on the album – reinforced by vaguely futuristic cover art — and sang only where he thought the voice built the mood.

“I got kind of fed up with sitting down and writing verses and choruses. I thought that was a bit boring,” he said.

“For me it was always about having a lot of cool sounds instead of having a catchy hook.”

Dark music, happy life

If Coachella's sunshine and scanty outfits seem a disconcerting match for Klangstof, Van Der Wardt is hardly gloomy as a person, with an easygoing smile and constant laugh.

“I always felt like I put all of the bad emotions into the music, and as soon as I'm done writing music and I'm on the road or living life, I actually feel like a pretty happy person,” he said.

“People always expect to have very depressed musicians on stage and when they come to me after the show, they're like, 'Huh? What was going on there? You were dancing, you were happy, you were screaming.'”

Van Der Wardt expressed pride at being the first Dutch act at Coachella, but said he was barely thinking about it.

“Music isn't a nationalist thing. Music is for everyone and it doesn't know any borders. In any case, I don't feel like I'm 'the hippest export product from The Netherlands' or anything,” he quipped with a laugh.

After Coachella, Klangstof will play more festival dates and open on US tours for The Flaming Lips and Miike Snow.

In a fitting sign of the band's origins, the headliner Friday at Coachella is Radiohead.

“I'm definitely going to try to see if I can get a little high-five going backstage,” Van Der Wardt said.

By Shaun Tandon

YOUTUBE

‘Take On Me’ tops a billion YouTube views: What makes 80s Norwegian hit so enduring?

It’s arguably the biggest success in the history of Norwegian pop, and A-ha’s 1984 pop classic ‘Take On Me’ this week reached a new milestone.

'Take On Me' tops a billion YouTube views: What makes 80s Norwegian hit so enduring?
A-Ha performing in 2015. Photo: AFP

The song combines synthpop with acoustic guitars, keyboards and drums and is indisputably the band’s signature tune and one of the most evocative pop songs of the decade.

That is complemented by a memorable music video which combined live action sequences with black-and-white pencil sketch animated overlays, in what was then an innovative technique called rotoscoping. It won six awards at the 1986 MTV Music Video Awards.

Perhaps the combination of both music and visuals has driven Take On Me into the realms of YouTube royalty. The official video, originally released in 1985, was recently restored and upgraded to 4K resolution to improve visual quality, Warner Music Norway wrote in a press statement.

In any case, A-ha now join a small list of artists with music videos that have tipped the 10-figure mark for total views on the social media website.

While South Korean rapper Psy’s 2012 hit Gangnam Style and Despacito by Luis Fonsi (2017) have famously garnered monstrous numbers of YouTube views, it’s arguably harder for songs which pre-date widespread use of the Internet to rack up those kind of figures.

Take On Me joins two Guns N’ Roses songs (November Rain, Sweet Child o’ Mine), Queen’s Bohemian Rhapsody and Nirvana’s Smells Like Teen Spirit in an elite club of just five songs from the 1970s, 1980s and 1990s with over a billion views.

Numb by Linkin Park was the first pre-YouTube video from the 2000s to reach a billion views.

“Obviously the video is unique and it has some features that stand up and stand the test of time,” he shared. “It’s hand drawn which makes it what it is,” A-ha guitarist Magne Furuholmen told Billboard last year.

“The song also seems to resonate with people across time. It’s just very fortunate to have such a big song in our catalogue,” Furuholmen said.

“We probably spent a few years talking it down, trying to get people to focus on new stuff we’re doing. At this point, certainly speaking for myself, I’m just surprised and proud that the song has done so well and still finds an audience,” he added.

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