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These are the Spotify hits Norwegians listened to in 2016

Want to build an end-of-year playlist Norwegian style? Here are 2016's most streamed tracks in Norway.

These are the Spotify hits Norwegians listened to in 2016
Hear all of the tracks that blasted through Norwegians' headphones this year. Photo: Iris

1. Faded by Alan Walker 

 

 
Bergen's Alan Walker had a smash international hit with 'Faded', so its appearance at the top of the Norwegian chart is hardly a surprise. The 19-year-old, who was born in Northampton to an English father and Norwegian mother but moved to Bergen at two, also cracked the Norway top ten with 'Sing Me to Sleep'.

 

2. Cheap Thrills, Sia

 

 

3. One Dance by Drake (ft. WizKid and Kyla)

 

 

4. Don’t Let Me Down by The Chainsmokers

 

 

5. Jovial by Freddy Kalas

 

 
Like fellow countryman Alan Walker, Freddy Kalas claimed two of the top ten most-streamed tracks amongst Norwegians. The Drammen native rode to fame in part through his participation in the Norwegian Melodi Grand Prix, where his track 'Feel Da Rush' made it to the final four. 
 

6. Sing Me to Sleep, Alan Walker

 

 

7. The Ocean by Mike Perry and Shy Martin

 

 

Some neighbourly love from the Norwegians for Swedish DJ and producer Mike Perry's track. 

 

8. Feel Da Rush by Freddy Kalas

 

 

9. Arigato by Julie Bergan 

 

 

Yet another homegrown talent claimed one of Norway's most-streamed songs this year. Jule Bergan is also a Melodi Grand Prix veteran, which certainly helped the 22-year-old push her track 'Arigato' to the Norwegian masses.  

 

10. Sex by Cheat Codes x Kris Kross Amsterdam

 

 
Curious about how Norwegians' music tastes stack up against the rest of the world? Spotify said its top five most-streamed tracks globally were:
 
1. One Dance (feat. WizKid and Kyla) – Drake
2. I Took A Pill in Ibiza – Seeb Remix – Mike Posner
3. Don’t Let Me Down (feat. Daya) – The Chainsmokers
4. Work (feat. Drake) – Rihanna
5. Cheap Thrills – Sia

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YOUTUBE

‘Take On Me’ tops a billion YouTube views: What makes 80s Norwegian hit so enduring?

It’s arguably the biggest success in the history of Norwegian pop, and A-ha’s 1984 pop classic ‘Take On Me’ this week reached a new milestone.

'Take On Me' tops a billion YouTube views: What makes 80s Norwegian hit so enduring?
A-Ha performing in 2015. Photo: AFP

The song combines synthpop with acoustic guitars, keyboards and drums and is indisputably the band’s signature tune and one of the most evocative pop songs of the decade.

That is complemented by a memorable music video which combined live action sequences with black-and-white pencil sketch animated overlays, in what was then an innovative technique called rotoscoping. It won six awards at the 1986 MTV Music Video Awards.

Perhaps the combination of both music and visuals has driven Take On Me into the realms of YouTube royalty. The official video, originally released in 1985, was recently restored and upgraded to 4K resolution to improve visual quality, Warner Music Norway wrote in a press statement.

In any case, A-ha now join a small list of artists with music videos that have tipped the 10-figure mark for total views on the social media website.

While South Korean rapper Psy’s 2012 hit Gangnam Style and Despacito by Luis Fonsi (2017) have famously garnered monstrous numbers of YouTube views, it’s arguably harder for songs which pre-date widespread use of the Internet to rack up those kind of figures.

Take On Me joins two Guns N’ Roses songs (November Rain, Sweet Child o’ Mine), Queen’s Bohemian Rhapsody and Nirvana’s Smells Like Teen Spirit in an elite club of just five songs from the 1970s, 1980s and 1990s with over a billion views.

Numb by Linkin Park was the first pre-YouTube video from the 2000s to reach a billion views.

“Obviously the video is unique and it has some features that stand up and stand the test of time,” he shared. “It’s hand drawn which makes it what it is,” A-ha guitarist Magne Furuholmen told Billboard last year.

“The song also seems to resonate with people across time. It’s just very fortunate to have such a big song in our catalogue,” Furuholmen said.

“We probably spent a few years talking it down, trying to get people to focus on new stuff we’re doing. At this point, certainly speaking for myself, I’m just surprised and proud that the song has done so well and still finds an audience,” he added.

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