Gay rights groups fume over Sizzla’s Oslo gig

Norwegian gay rights groups are planning to gather outside an Oslo concert venue on Thursday night to take a stand against Sizzla, a reggae star notorious for his anti-gay lyrics.

Gay rights groups fume over Sizzla's Oslo gig
Photo: Avarty Photos (File)

The Jamaican artist was originally scheduled to play at Rockefeller, one of the city’s most illustrious venues. But earlier this week Rockefeller said he was no longer welcome after it learned he had recently breached the Reggae Compassionate Act, an agreement he signed pledging not to discriminate on sexual grounds.

Instead, the concert will take place at the Rhythm Club, where organizers have vowed to pull the plug on the singer if he reneges on a promise not to rail against gays.

Meanwhile, gay rights groups LLH and Skeiv Ungdom (SkU) are planning to meet outside the club an hour before Sizzla takes to the stage.

“We hope to see as many people as possible outside the concert venue at 9pm for a controlled gathering to show that we distance ourselves from artists like Sizzla and the decision to book artists who incite violence and murder,” said SkU leader Åshild Marie Vige and the head of LLH Oslo, Hans Heen Sikkeland, in a joint statement posted on Facebook.

On Wednesday, the 35-year-old Sizzla saw a planned concert in Stockholm cancelled at the last minute as promoters gave in to vocal criticism from Sweden’s gay community.

"Last Sunday, the 18th of March, at a concert in Kingston, Jamaica, Sizzla called for homosexuals to be murdered," said Ulrika Westerlund, spokeswoman for Swedish gay rights group RFSL.

"It should go without saying that gigs should not be booked for this man," she said in a statement.

Critics have branded Sizzla’s lyrics as being hateful towards the gay community, with the killing and burning of homosexuals a recurring theme in several of his songs.

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‘Take On Me’ tops a billion YouTube views: What makes 80s Norwegian hit so enduring?

It’s arguably the biggest success in the history of Norwegian pop, and A-ha’s 1984 pop classic ‘Take On Me’ this week reached a new milestone.

'Take On Me' tops a billion YouTube views: What makes 80s Norwegian hit so enduring?
A-Ha performing in 2015. Photo: AFP

The song combines synthpop with acoustic guitars, keyboards and drums and is indisputably the band’s signature tune and one of the most evocative pop songs of the decade.

That is complemented by a memorable music video which combined live action sequences with black-and-white pencil sketch animated overlays, in what was then an innovative technique called rotoscoping. It won six awards at the 1986 MTV Music Video Awards.

Perhaps the combination of both music and visuals has driven Take On Me into the realms of YouTube royalty. The official video, originally released in 1985, was recently restored and upgraded to 4K resolution to improve visual quality, Warner Music Norway wrote in a press statement.

In any case, A-ha now join a small list of artists with music videos that have tipped the 10-figure mark for total views on the social media website.

While South Korean rapper Psy’s 2012 hit Gangnam Style and Despacito by Luis Fonsi (2017) have famously garnered monstrous numbers of YouTube views, it’s arguably harder for songs which pre-date widespread use of the Internet to rack up those kind of figures.

Take On Me joins two Guns N’ Roses songs (November Rain, Sweet Child o’ Mine), Queen’s Bohemian Rhapsody and Nirvana’s Smells Like Teen Spirit in an elite club of just five songs from the 1970s, 1980s and 1990s with over a billion views.

Numb by Linkin Park was the first pre-YouTube video from the 2000s to reach a billion views.

“Obviously the video is unique and it has some features that stand up and stand the test of time,” he shared. “It’s hand drawn which makes it what it is,” A-ha guitarist Magne Furuholmen told Billboard last year.

“The song also seems to resonate with people across time. It’s just very fortunate to have such a big song in our catalogue,” Furuholmen said.

“We probably spent a few years talking it down, trying to get people to focus on new stuff we’re doing. At this point, certainly speaking for myself, I’m just surprised and proud that the song has done so well and still finds an audience,” he added.