Police arrest hit-and-run suspect

Police have arrested a 39-year-old man suspected of the hit-and-run killing of 54-year-old Jeff Mwangi Kwirikia, the father of popular Norwegian-Kenyan singer Stella Mwangi.

Police said the 39-year-old turned up at the local police station with his wife on Thursday. Police officers then accompanied the couple to a house in Råholt, south-eastern Norway. 

In the adjoining garage, police found a Citroen Berlingo van with extensive damage to the front windscreen and the right-hand side of the vehicle. Police on Wednesday said they were looking for a van that matched this description.

The house where the van was found is occupied by the suspect's parents.

The 39-year-old has now been charged with manslaughter, police said. If found guilty, he could be jailed for up to three years, or up to six years under aggravating circumstances.

At a press conference on Thursday afternoon, police said they remained unsure whether the suspect was the person behind the wheel at the time of the collision. An investigation is ongoing.

Jeff Mwangi Kwirikia died from his injuries after he was run over by a van on county road 454. The driver fled the scene.

The van was last seen headed in a northbound direction on the stretch of the Trondheim road between Dal and Råholt shortly after the accident at 2pm on Tuesday.

The victim's daughter, Stella Mwangi, 25, represented Norway at the Eurovision Song Contest in 2011.

She also recently appeared on television with her father in the Norwegian version of Let’s Dance, in which she was a participant.

“She’s not doing well at all. Stella was very close to her father. She is mainly mourning her loss, not hunting for the driver,” her future father-in-law, Per Rogstad, told newspaper Romerikes Blad.

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‘Take On Me’ tops a billion YouTube views: What makes 80s Norwegian hit so enduring?

It’s arguably the biggest success in the history of Norwegian pop, and A-ha’s 1984 pop classic ‘Take On Me’ this week reached a new milestone.

'Take On Me' tops a billion YouTube views: What makes 80s Norwegian hit so enduring?
A-Ha performing in 2015. Photo: AFP

The song combines synthpop with acoustic guitars, keyboards and drums and is indisputably the band’s signature tune and one of the most evocative pop songs of the decade.

That is complemented by a memorable music video which combined live action sequences with black-and-white pencil sketch animated overlays, in what was then an innovative technique called rotoscoping. It won six awards at the 1986 MTV Music Video Awards.

Perhaps the combination of both music and visuals has driven Take On Me into the realms of YouTube royalty. The official video, originally released in 1985, was recently restored and upgraded to 4K resolution to improve visual quality, Warner Music Norway wrote in a press statement.

In any case, A-ha now join a small list of artists with music videos that have tipped the 10-figure mark for total views on the social media website.

While South Korean rapper Psy’s 2012 hit Gangnam Style and Despacito by Luis Fonsi (2017) have famously garnered monstrous numbers of YouTube views, it’s arguably harder for songs which pre-date widespread use of the Internet to rack up those kind of figures.

Take On Me joins two Guns N’ Roses songs (November Rain, Sweet Child o’ Mine), Queen’s Bohemian Rhapsody and Nirvana’s Smells Like Teen Spirit in an elite club of just five songs from the 1970s, 1980s and 1990s with over a billion views.

Numb by Linkin Park was the first pre-YouTube video from the 2000s to reach a billion views.

“Obviously the video is unique and it has some features that stand up and stand the test of time,” he shared. “It’s hand drawn which makes it what it is,” A-ha guitarist Magne Furuholmen told Billboard last year.

“The song also seems to resonate with people across time. It’s just very fortunate to have such a big song in our catalogue,” Furuholmen said.

“We probably spent a few years talking it down, trying to get people to focus on new stuff we’re doing. At this point, certainly speaking for myself, I’m just surprised and proud that the song has done so well and still finds an audience,” he added.